Mountain Majesty

Caleb Johnson Studio envisions a striking contemporary retreat in Bethel that serves as a gathering place

Caleb Johnson Studio designed this clean and contemporary vacation house in Bethel, Maine.
The home takes advantage of mountain views in two directions.
The 2,700 -square foot four-bedroom residence offers spacial living for family and friends to go to unwind after a busy week.
The contemporary window design brings the essence of natural light indoors from the majestic view.

They say opposites attract, so why wouldn’t the saying ring true for a person’s design sensibility? When Sarah Iselin decided to build a vacation house in Bethel, she knew she didn’t want it to be anything like her primary residence in Newton, Massachusetts, a 1905 Arts and Crafts home with elaborate details and traditional furnishings. Iselin had fallen in love with this area of Maine while on a family ski vacation a few years ago. “I heard about Sunday River ski resort and decided to rent a house nearby,” explains Iselin. “We arrived after dark, but I woke up the next day to the most extraordinary, jaw- dropping  mountain  views.  Two  weeks later, I put in an offer on the two-and-a- half-acre lot across the street from our rental.” As a busy healthcare executive whose job requires extensive travel (the pandemic aside), her goal was to create a “minimal, efficient, uncluttered, and low- maintenance house that my three teenag- ers and our friends could enjoy.”

Enter Portland-based architecture firm Caleb Johnson Studio, known for its cool, contemporary structures that are expertly integrated into the surrounding landscape. “I went to art school, and I’ve always been design oriented, so I knew that I wanted the experience of building a house one day,” explains Iselin, who, coincidentally, discovered Caleb Johnson’s work on Maine Home+Design’s website. “I approached the firm with a fairly modest scope, and they were able to deliver a design that was both clean and elegant. And although modern isn’t the predominant aesthetic in this community, the house still feels appro- priate because the rough cedar cladding is in keeping with Maine’s vernacular.” In fact, the striking eastern white cedar on the exterior is one of architect Caleb Johnson’s go-to materials. “It’s not fancy, but I use it on everything because it’s rot- resistant, locally sourced, and authentic to Maine,” says Johnson, who worked closely with Iselin as well as the firm’s Bud Angst and David Duncan Morris to conceive the 2,700-square-foot four-bedroom house. “She wanted a modern counterpoint to her historic home in Massachusetts,” says Johnson. “A structure’s design evolves through the floor plan, and for that we really leaned on Sarah to tell us exactly how she wanted the space to function.

Making the most of the mountain views, accommodating large groups, and being able to cook and entertain in a casual, laid-back way were at the top of Iselin’s list. “The house needed to allow for big ski weekends with friends, but also feel cozy when Sarah is there alone,” says Angst, the archi- tectural designer overseeing the project. With this in mind, the firm divided the residence into three zones by floor: a lower-level guest area with two bunk rooms that sleep four to six people each, the main living area that encompasses the public spaces, and a serene upper level that houses the owner’s suite (Iselin’s favorite spot because it’s the only room with views of both Mount Washington in New Hampshire and Maine’s Mount Abram), plus an additional bedroom. “We created an efficient and simple floor plan,” says Angst. “It functions just as well for 16 as it does for one.” The biggest design hurdle, according to Johnson, was the steep site, which drops off quickly from the road. (“I bought the property during the winter, and when the snow thawed, it was a whole lot steeper than I thought,” recalls Iselin.) “We normally try to avoid a three- story rear facade in favor of keeping the building tight to the landscape,” says Johnson, “but here, we had to embrace the slope and find a graceful way around it.” The solution involved a sculptural deck off the main living area that’s angled to allow natural light to flood the lower level, which has direct access to the yard.

To carry out their design, the architects worked alongside Bethel-based Clearwater Builders. “This isn’t a run-of-the-mill house,” says Clearwa- ter Builders’ founder Bruce Lilly. “Our firm normally works on more traditional mountain-style homes, so this contem- porary project was a nice change of pace. I also appreciated seeing the plan- ning process unfold, because Caleb was able to fit a lot of living space within a modest footprint. The design is practical and very well thought out. Not all archi- tects have the building knowledge and experience that Caleb does.”

Inside, the surfaces were also kept sleek and simple, with white walls and ceilings, white oak flooring and cabin- etry, limestone and porcelain tile, and raw metal accents. “Sarah prefers natu- ral, low-maintenance materials,” says Angst. “That’s actually what led us to install reclaimed-wood walls in the bunk rooms.” Architect David Duncan Morris, who serves as the director of design at Caleb Johnson Studio, helped select the interior finishes and architec- tural details in addition to working with Iselin to furnish the home. “This house is meant as a retreat from Sarah’s busy life, so we didn’t want her constantly having to clean and worry about upkeep,” says Morris. “There’s no fuss or frills, and nothing is too precious.”

However, durability doesn’t mean having to sacrifice luxury. “Sarah loves beautiful things and appreciates design,” notes Morris. “She especially likes pieces that feel handmade, and she paid care- ful attention to the tactile quality of the various objects and materials we were considering for the home.” In Iselin’s bedroom, for example, they opted for a handcrafted four-poster “that brings some romance into the space,” says Morris. It serves as a focal point on the upper floor, where whites and linens are meant to create a peaceful retreat from the rest of the house. The lower-level guest area is “comfortable and inviting, with furniture that you sink into,” he continues. Mean- while, the main floor is the most formal area, with streamlined furnishings in more colorful, dressier fabrics such as velvet, which adds texture and sheen. “We chose essential pieces that were in line with the restrained architecture,” says Morris. “The building is a beautiful study in wood and glass, and the interior should reflect and harmonize with it. In order to keep the tailored residence from feeling cold and unwelcoming, we brought in softness through the furnishings, which give a home life, comfort, and vitality.”

This simple vision—free of knick- knacks and clutter—is exactly what Iselin had envisioned. “I can easily hand a set of keys off to friends and not stress about anything,” says Iselin, who likes to share her home with loved ones even when she’s not able to join in on the fun. “I just never imagined it could be this perfect. This was meant to be a ski house, but I didn’t realize how much I would adore it during the other seasons.” And the home has become even more important to Iselin since the pandemic hit, serving as a weekend sanctuary. “The mountains are my religion,” she says. “It’s the place I go when I need to gain perspective on life. When I arrive at the property, I can feel my blood pressure drop and my heart rate slow down.”