All for the Lake

All for the Lake | Whitten Architects | Maine Home+Design
Homeowners Karen and Andy Coppola repurposed a lakeside home, leaving its basic shape intact but incorporating a side deck and one-story addition for a new entry and ground-floor bedroom. The standingseam metal roof and eastern white cedar cladding are new, as is the extensive landscaping, all designed to give what had formerly seemed like a suburban property more of a camp feel.
The original enclosed porch obscured the lake view, so it was replaced with a glassed-in sunporch with a red walnut floor. The ceiling and trim are ash.
The kitchen sink is sited to maximize the view, which is of a meadow and a classic New England barn. Painted nickel-gap paneling covers the kitchen wall, and natural ash nickel-gap lines the sizeable pantry to the left, which also has an office nook. The cabinets (both painted and natural) are a Shaker-style flat panel with handles and knobs of a polished bronze. The countertops are Heritage Valley granite from Morningstar Stone and Tile. The paintings are by William Crosby.
The owners’ bedroom has an ash accent wall. The bedding is from Pine Cone Hill, and the painting is by Jenny Prinn.
All for the Lake | Whitten Architects | Maine Home+Design
To make the camp feel more rustic, Whitten Architects and Douston Construction added a fieldstone chimney with a slab of granite for the lintel and an old barn beam for the mantel. An additional window at the base of the staircase was added for ventilation but also as part of a plan to balance glare off the lake. The painting to the right is by Holly Lombardo.
All for the Lake | Whitten Architects | Maine Home+Design
Friends and family gather around a fire pit made of weathered granite boulders. Surrounded by blueberry and huckleberry bushes, the clearing is one of many exterior “rooms” that landscape architects Richardson and Associates of Saco created on the lake side of the house. A different space has Adirondack chairs overlooking the water. Still another has a small lawn for playing bocce or croquet.
All for the Lake | Whitten Architects | Maine Home+Design
The second-floor landing opens onto a bunk room featuring new windows and beds with under-mattress storage. The ash drawers obviate the need for dressers elsewhere in the room, keeping the space open. The beds and the side table are from Huston and Company. The rug is from Angela Adams in Portland. The chair is a vintage piece. The bedding is from Pine Cone Hill. The fuzzy pillows are from Wayfair, and the stuffed animals are from Daytrip Society in Kennebunkport. The paintings are by Ann Sklar.
All for the Lake | Whitten Architects | Maine Home+Design
A new gravel driveway connects the garage on the left and the house on the right. The entry is part of a one-story addition to the original structure. Of the overall aim of the project, landscape architect Todd Richardson of Richardson and Associates says, “Rudimentary as it sounds, the primary goal was to reintegrate this camp with the lake and do so in a way more fitting with the natural environment.”
The owners enjoy dining on a new wraparound deck, which is made of ipé with red cedar handrails and a cable railing.

A Maine camp on a lake realizes its potential through high-performance systems & storm water management

There was a problem with the Maine camp that Andy and Karen Coppola bought in the fall of 2012. It didn’t feel like a Maine camp. Yes, the lightly forested land was bordered by a meadow and a beautiful lake, reportedly one of the three cleanest in the state, and, yes, the water has surprisingly and deliciously balmy temperatures for swimming. But the home, as architect Russ Tyson of Whitten Architects in Portland says, “had no sense of place.” The actual structure and surrounding lawn “could have been anywhere in suburban America.” What’s more, the site’s poor drainage and storm management was working, however unintentionally, against the health of the property’s greatest asset. When it rained, water rushed down the hill of the driveway toward the entry porch, where it collected and created unsafe ice and mud slicks. Meanwhile, the overflow washed around the foundation, eroding the earth and carrying whatever pesticides or herbicides the lawn may or may not have been treated with into the lake.

The Coppolas undertook a renovation—small at first and then increasingly elaborate—to integrate their home with its environs. The goal? A more traditional lakeside camp, but one with high-performance systems, a refined interior aesthetic, and plenty of outdoor spaces where friends and family can relax, gather, and play. “It might be a selfish thing,” says Andy, who with Karen has two college-age children. “But how else are you going to guarantee you’re going to see the kids in summertime?”

Employing a team that included Whitten Architects and Douston Construction in Arundel, the Coppolas started with practical changes, in terms of functionality and general performance. The ground floor  got a new mudroom, wraparound deck, and kitchen with walk-in pantry and office nook. Originally, an enclosed sunporch that faced the water blocked the view. Now that same sunporch—renovated to include a wall of glass windows and connected by a 16-foot sliding-glass door to the living room—reveals the lake as soon as one steps through the front door. Previously, arriving visitors found themselves in the kitchen proper. Now there is a protected entry porch and mudroom with built-in benches, cubbies, and drawers, all constructed of ash by Huston and Company of Kennebunkport. Tyson says, “There are lots of options for getting rid of things as you get into the house.” Andy, focused more on exiting, opens a drawer and adds, “There’s everything you need to go outside: keys, boat licenses.”

Although Maine shoreland zoning laws didn’t allow for a sizeable addition to the original footprint, a modest expansion permitted reorganizing the floor plan, so the ground level at present accommodates an owners’ bedroom and bath. Meanwhile, the second floor has a landing that is also a bunk room with two sleeping berths fitted under the roof’s eave. This space (kept neat with the help of ample storage in large drawers under the beds) is a favorite of the Coppolas’ children. Guests tend to stay in the two small adjacent bedrooms. The basement has a mechanical room and a game room/den with a bar of corrugated steel and wood that Andy made himself. Here, the emphasis is on classic lakeside fun. Bathing suits and life jackets hang on the wall to dry. Painted oars perch on hooks made of tree branches. Game boards have been framed as artwork but can be taken off the wall for play, the game pieces cleverly hidden within their thick frames.

The primary gathering place is the first floor, which is a large L-shape that contains the living room, dining room, and kitchen. A new sunporch, which extends the communal space, brings the outside in, and floods the area with light. Inside, the house is decidedly modern and uncluttered (thanks to all the custom built-ins) but also “campified” with wood and stone. “The materials further tie the house to its place,” says Jessie Carroll of Whitten Architects of Douston’s interior work. Walnut and red birch are used for floors, and ash for accent walls. The kitchen island’s top is made of Heritage Valley, a Maine granite from Morningstar Stone and Tile, and the living room fireplace is composed of fieldstone with a slab of granite for the lintel and an old barn beam for the mantel. Nickel-gap paneling (sometimes painted white and sometimes left natural) adds visual interest to walls throughout the house.

Thanks to new, better placed and higher performing windows, an air-source heat pump, and improved ventilation, the house is airy and comfortable year-round. Since the previous interior finishes were removed and the house was stripped to the studs, Douston Construction was able to insulate all the walls. Of the wisdom of the effort, Shawn Douston says, “It’s like wrapping a baby. You want a nice warm blanket.”

The house formerly had gray and white vinyl siding. All of this was stripped during the renovation and replaced with eastern white cedar shingles. The new front porch has exposed Douglas fir timbers and features a mahogany front door with mahogany sidelights. The exterior porch has ipé decking, cable rails, and red cedar handrails. (The free-standing garage, which underwent a small expansion, was also clad in cedar.)

Outside, Richardson and Associates’ landscape plan created multiple “rooms”—a clearing for lawn games, a gathering space with fire pit, a flagstone terrace with Adirondack chairs, and a dining area—while celebrating and protecting the location. The award-winning plan by landscape architects David Maynes and Todd Richardson brought in native wild sods, low-bush blueberry and huckleberry, sweet gale, and hay-scented fern. Creating a buffer against erosion, the new plantings look as if they have always been there. Among the ways that Richardson and Associates managed storm water was what appears to the untrained eye to be a fern- and boulder-filled creek bed but is actually creative grading that allows small pools to catch sediment and other matter as water flows downhill toward the lake. As Maynes says, the feature, located on the less traveled side of the house, does not scream, “Look at me!” Rather, it suggests the natural way the land has eroded over the years, especially because the boulders already have lichen and moss on them. These weathered boulders appear elsewhere on the property to define walkways, enclose spaces, or simply serve as seats. Another clever site detail: roof runoff supports the growth of the haircap moss planted around the house, and, in return, the moss minimizes rain backsplash on the exterior walls.

Andy is a retired lawyer who now coaches part-time with the Boston Breakers women’s professional soccer team, and Karen is the executive vice president and chief marketing officer at the TJX Companies. Karen’s friend Susan Titcomb, now of Green Gables Designs in Fryeburg but previously with TJX as the creative director of the HomeGoods brand, consulted on the interior design, helping the Coppolas find neutrals for the furniture and rugs, and artwork for pops of color. There is, however, some seasonal variation in the palette. In winter, pillows and throws are red and green, the vibe Christmas-y. Come summer, blues and greens dominate, and Titcomb says, the rooms “are more tranquil in feel and subtle in pattern.” Standing in the living room on a recent peaceful day, the house still in its summer mode, Tyson gestures to the rooms that surround him. He keeps his eyes focused on the shoreline outside, then says of the collaborative effort that is the Coppola home: “This is all for the lake.”