It’s hard to imagine an event more fully in concert with a liberal arts education than the visual extravaganza of Ralph Steadman: And Another Thing, currently on view at Bates College Museum of Art. The exhibition, curated by Sadie Williams … Continue reading →

When the Zillman Art Museum’s executive director and curator George Kinghorn first connected with artist Peter Walls about a solo exhibition, he encouraged Walls to activate the space with a suite of new works. “I’m always interested in artists who … Continue reading →

From over one hundred submissions by members of the Union of Maine Visual Artists (UMVA), curator Carl Little selected 60 works for the group exhibition Washed Away, on view in the Lewis Gallery of the Portland Public Library. The paintings, … Continue reading →

Bowdoin College Museum of Art’s newest exhibition, Art, Ecology, and the Resilience of a Maine Island, revolves around a botanical troublemaker known as dwarf mistletoe. The parasitic plant’s destructive impact on Monhegan’s white spruce trees has been a focus of … Continue reading →

Marquetry is an art form that uses diverse wood species to create designs on the wooden surface of objects, often furniture. Patterns, shapes, and other pictorial elements are cut from veneer sheets as thin as cardstock, using a scroll saw, … Continue reading →

There’s a layer cake—in the form of a book, of course!—at the entrance to Anniversary: 10 Years of the Charles Altschul Book Arts Studio, the wildly imaginative group exhibition at the Haas Gallery in Rockport. Cake is a limited-edition book … Continue reading →

The Museum of Modern Art opened on November 8, 1929, in several rented rooms on the 12th floor of the Heckscher Building—today the Crown Building—at 730 Fifth Avenue in New York City. Lee Krasner (1908–1984) visited the exhibition on November … Continue reading →

At the entrance to Donald Moffett’s newest sculptural installation, NATURE CULT, SEEDED, is a signpost in playground chartreuse, stood up in a weathered watering can, with the notice “Vacancy” spelled out in twigs painted so heavily they’re more plastic than … Continue reading →

“Installing an exhibition is a bit like moving into a new house,” says Portland Museum of Art (PMA) chief curator Shalini Le Gall. There’s plenty of advance planning, but equally important are the unexpected, in-the-moment decisions that happen in the … Continue reading →